"Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour"" by Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France was released on January 1, 1989. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jacques Offenbach, Orchestre National De France, Seiji Ozawa's "Jacques Offenbach: The Tales of Hoffmann" album is number 12 out of 48. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" by Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | D♭ Major | 2 | 3B | 80 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
Desplat: Pelléas et Mélisande: I. Comme un oiseau pourchassé | Alexandre Desplat, Emmanuel Pahud, Orchestre National De France | D Major | 0 | 10B | 67 BPM | ||
Artaserse: Son qual nave | Riccardo Broschi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 4 | 3B | 135 BPM | ||
Die Fledermaus / Act 1: "Da schreibt meine Schwester Ida" | Johann Strauss II, Kiri Te Kanawa, Edita Gruberova, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 134 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 1 | 12B | 84 BPM | ||
Tout un monde lointain…: I. Énigme | Henri Dutilleux, Victor Julien-Laferrière, Orchestre National De France, David Robertson | G Major | 1 | 9B | 76 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM |