"Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet)" by Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge was released on October 13, 2022. With this song being about 5 minutes long, at 5:00, "Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet)" by Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 44 out of 50 in Delibes - Inspiring Composers by Léo Delibes. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) by Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 1: "Dôme épais" - Live | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | B Major | 1 | 1B | 77 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, José Serebrier, Bournemouth Symphony Orchestra | D♭ Major | 0 | 3B | 95 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Thaïs / Acte Deux: Méditation religieuse | Jules Massenet, Nigel Kennedy, National Philharmonic Orchestra, Richard Bonynge | E Minor | 1 | 9A | 89 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto" - Arr. Iva Davies, Christopher Gordon & Richard Tognetti: Adagio | Christopher Gordon | E♭ Major | 1 | 5B | 129 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Samson et Dalila: Mon coeur s’ouvre à ta voix | Camille Saint-Saëns, Marie-Nicole Lemieux, Orchestre National De France, Fabien Gabel | A♭ Major | 1 | 4B | 70 BPM | ||
Au Fond Du Temple Saint (Les Pècheurs de Perles) | Jussi Björling, RCA Victor Orchestra, Robert Merrill | E♭ Major | 4 | 5B | 93 BPM |