"Au Fond Du Temple Saint (Les Pècheurs de Perles)" by Jussi Björling, RCA Victor Orchestra, Robert Merrill was released on March 3, 1931. With this song being about 5 minutes long, at 4:36, "Au Fond Du Temple Saint (Les Pècheurs de Perles)" by Jussi Björling, RCA Victor Orchestra, Robert Merrill is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Au Fond Du Temple Saint (Les Pècheurs de Perles) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Au Fond Du Temple Saint (Les Pècheurs de Perles) by Jussi Björling, RCA Victor Orchestra, Robert Merrill having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solveig's song | Edvard Grieg, Anna Netrebko | A Minor | 1 | 8A | 173 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Du är min hela värld (Dein ist mein ganzes Hertz) | Beda Loehner, Carl-Johan Holzhausen, Franz Lehár, Ludwig Herzer, Jussi Björling | D♭ Major | 3 | 3B | 173 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Cielo e Mar! (La Gioconda) | Jussi Björling, RCA Victor Orchestra, Robert Merrill | B Minor | 5 | 10A | 137 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Notre Dame: Intermezzo | Franz Schmidt, Frankfurt Radio Symphony Orchestra, Paavo Järvi | D♭ Major | 2 | 3B | 112 BPM | ||
Songs of the Auvergne, Book I: 2. Baïlèro | Joseph Canteloube, Sara Macliver, Brett Kelly, Queensland Symphony Orchestra | B♭ Major | 1 | 6B | 92 BPM | ||
Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | ||
Canteloube: Chants d'Auvergne, Book 1: Bailèro | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 80 BPM |