"Canteloube: Chants d'Auvergne, Book 1: Bailèro" by Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon was released on 1994. Canteloube: Chants d'Auvergne, Book 1: Bailèro is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 1 out of 39 in Canteloube : Chants d'Auvergne [Complete] by Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon. Canteloube: Chants d'Auvergne, Book 1: Bailèro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canteloube: Chants d'Auvergne, Book 1: Bailèro by Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Esa-Pekka Salonen | G Minor | 1 | 6A | 137 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Jonathon Bond, Stephen Cleobury, Academy of St. Martin in the Fields, George Guest | D Minor | 0 | 7A | 170 BPM | ||
L'elisir d'amore / Act II: "Dell'elisir mirabile" - "E bellissima" | Gaetano Donizetti, Luciano Pavarotti, Dawn Upshaw, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 147 BPM | ||
Requiem in D Minor, Op. 48: Pie Jesu | Gabriel Fauré, Grace Davidson, LSO Chamber Ensemble | B♭ Major | 0 | 6B | 89 BPM | ||
Malurous qu'o uno fenno (Unfortunate is he who has a wife) - Chants d'Auvergne - Remastered 2022 | Joseph Canteloube, Netania Davrath | A♭ Major | 2 | 4B | 59 BPM | ||
Delibes: Lakmé, Act 1: Duo des fleurs. "Viens, Mallika" (Lakmé, Mallika) | Léo Delibes, Sabine Devieilhe, Marianne Crebassa, Les Siècles, François-Xavier Roth | B Major | 1 | 1B | 125 BPM | ||
The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM |