"Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen" by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur was released on January 1, 1983. Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Strauss, R.: Four Last Songs, etc.". In this album, this song's track order is #3. Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly (Remastered): Act II - Un bel dì | Giacomo Puccini, Erich Leinsdorf | F Major | 3 | 7B | 110 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | F♯ Major | 0 | 2B | 91 BPM | ||
4 Lieder, Op. 27: 1. Ruhe, meine Seele! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | D Minor | 0 | 7A | 90 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Cantique de Jean Racine, Op. 11 (Arr. Rutter) | Gabriel Fauré, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey, Rundfunkchor Berlin | D♭ Major | 2 | 3B | 86 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Sechs Gesänge, Op. 7: V. Die Trauernde (Volkslied) | Johannes Brahms, Jessye Norman, Daniel Barenboim | A♭ Major | 0 | 4B | 102 BPM | ||
Miserere II in C minor: 1. Miserere mei, Deus | Giovanni Battista Pergolesi, The Choir of Magdalen College, Oxford, The Wren Orchestra, Bernard Rose | D♭ Major | 2 | 3B | 120 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Chamber Orchestra, Raymond Leppard | C Minor | 3 | 5A | 147 BPM |