"Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice" by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus was released on December 4, 2020. With Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Munich Radio Orchestra, Cappella Coloniensis, Vienna Radio Symphony Orchestra, Serge Baudo, Lamberto Gardelli, Ferdinand Leitner, Anthony Spiri, Leopold Hager, Jessye Norman, Nicolai Gedda, Dietrich Fischer-Dieskau, Pilar Lorengar, Franco Bonisolli, Bavarian Radio Chorus, Thomas Moser, Kaaren Erickson, Ruth-Margret Putz, Elisabeth Söderström, Lothar Zagrosek, Jan-Hendrick Rootering, Iris Vermillion, Robert Gambill, Walton Groenroos, Alexandrina Milcheva, Kölner Rundfunkchor, Anne Tedards, Sylvia Greenberg, Ileana Cotrubas, Gabriele Fontana, Julie Kaufmann, Anna-Marie Rodde, Marga Schiml, Arnold Schoenberg Chor, Robrt Gambill, Chor des Osterreichischen Rundfunks, Annegeer Stumphius, Anna-Maria Rodde, Claes-Håkan Ahnsjö, Ulrich Ress's "Gluck: Opera Gala" album is number 13 out of 39. In terms of popularity, Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Miserere, ZWV 57: I. Miserere I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Minor | 3 | 10A | 75 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Minor | 1 | 10A | 0 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM |