"Malurous qu'o uno fenno (Unfortunate is he who has a wife) - Chants d'Auvergne - Remastered 2022" by Joseph Canteloube, Netania Davrath was released on March 28, 2022. With Malurous qu'o uno fenno (Unfortunate is he who has a wife) - Chants d'Auvergne - Remastered 2022 being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 42 in Canteloube: Complete Songs of the Auvergne by Joseph Canteloube, Netania Davrath. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. Malurous qu'o uno fenno (Unfortunate is he who has a wife) - Chants d'Auvergne - Remastered 2022 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Malurous qu'o uno fenno (Unfortunate is he who has a wife) - Chants d'Auvergne - Remastered 2022 by Joseph Canteloube, Netania Davrath is Lento (slowly), since this song has a tempo of 59 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
Florida Suite: At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 107 BPM | ||
Notre Dame: Intermezzo | Franz Schmidt, Frankfurt Radio Symphony Orchestra, Paavo Järvi | D♭ Major | 2 | 3B | 112 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 81 BPM | ||
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes | Wolfgang Amadeus Mozart, Felicity Palmer, Choir of St. John's College, Cambridge, The Wren Orchestra, George Guest | C Major | 2 | 8B | 100 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Canteloube : Chants d'Auvergne : Pastouro, sé tu m'aymo | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Anne Decoville, Orchestre de l'Opéra de Lyon | A Minor | 2 | 8A | 105 BPM |