Richard Wagner, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger made "Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) - 1990 Remastered Version" available on November 20, 2009. With this song being about 5 minutes long, at 4:34, "Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) - 1990 Remastered Version" by Richard Wagner, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jägerchor / Hunting Chorus - Große Opernchöre / Best-Loved Opera Choruses's "Jägerchor / Hunting Chorus - Große Opernchöre / Best-Loved Opera Choruses" album is number 7 out of 12. Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) - 1990 Remastered Version is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) - 1990 Remastered Version by Richard Wagner, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Ein Runenzauber zwingt das Gold zum Reif" | Richard Wagner, Eberhard Wächter, Set Svanholm, George London, Waldemar Kmentt, Kirsten Flagstad, Kurt Böhme, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 78 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 74 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Das Rheingold / Erste Szene: "Der Welt Erbe Gewänn' ich zu eigen durch dich?" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 2 | 5B | 76 BPM | ||
Arabella, Op. 79, TrV 263: Das war sehr gut, Mandryka | Richard Strauss, Anne Schwanewilms, Gürzenich Orchester Köln, Markus Stenz | A Major | 1 | 11B | 133 BPM |