Wolfgang Amadeus Mozart, Fritz Wunderlich, Kurt Böhme, Bavarian State Orchestra, Eugen Jochum made "Die Entführung aus dem Serail, K. 384 / Act I: "Aber wie soll ich in den Palast kommen?" - "Wer ein Liebchen hat gefunden"" available on January 1, 1966. Since Die Entführung aus dem Serail, K. 384 / Act I: "Aber wie soll ich in den Palast kommen?" - "Wer ein Liebchen hat gefunden" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Bavarian State Orchestra, Eugen Jochum's "Mozart: Die Entführung aus dem Serail" album is number 3 out of 39. On top of that, Germany appears to be the country where this track was created. Die Entführung aus dem Serail, K. 384 / Act I: "Aber wie soll ich in den Palast kommen?" - "Wer ein Liebchen hat gefunden" is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Die Entführung aus dem Serail, K. 384 / Act I: "Aber wie soll ich in den Palast kommen?" - "Wer ein Liebchen hat gefunden" by Wolfgang Amadeus Mozart, Fritz Wunderlich, Kurt Böhme, Bavarian State Orchestra, Eugen Jochum to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Die Zauberflöte / Act 2: "Der Hölle Rache kocht in meinem Herze" | Wolfgang Amadeus Mozart, Sumi Jo, Ruth Ziesak, Heinz Zednik, Kurt Moll, Wiener Philharmoniker, Sir Georg Solti | G Minor | 2 | 6A | 107 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D Minor | 2 | 7A | 148 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Nocturne No. 6 in G Minor, Op. 15, No. 3 | Frédéric Chopin, Maria João Pires | F Minor | 1 | 4A | 76 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM |