Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis's 'Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle"' came out on October 29, 1968. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 9 in Arias From French Operas by Marilyn Horne, Wiener Opernorchester, Henry Lewis. Based on our statistics, Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" by Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Act III Scene 1: Treulich gefuhrt, ziehet dahin (Wedding March) (Chorus) | Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Chorus, North German Radio Chorus, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Semyon Bychkov | B♭ Major | 0 | 6B | 99 BPM | ||
La Serenata | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | F Major | 3 | 7B | 96 BPM | ||
Nessun dorma! from Turandot | Plácido Domingo | D Major | 4 | 10B | 80 BPM | ||
Nabucco, Opera (Nabucodonosor): Coro Di Schiavi Ebrei | Traditional, Bernhard Klee | D Minor | 2 | 7A | 142 BPM | ||
Serse, HWV 40 / Act 1: "Frondi tenere e belle...Ombra mai fù" | George Frideric Handel, Dame Janet Baker, English Chamber Orchestra, Raymond Leppard | F Major | 0 | 7B | 84 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | A Minor | 3 | 8A | 73 BPM | ||
Bizet: Carmen: Avec la garde montate - Act One | Georges Bizet, Covent Garden Chorus, Richard van Allan, Thomas Allan, Plácido Domingo, Sir Georg Solti | F Major | 3 | 7B | 113 BPM | ||
Quintet: Whizzin Away Along De Track (from "Carmen Jones") | Marilyn Horne, Pearl Bailey, Joe Crawford, Bernice Peterson, Brock Peters | D Minor | 1 | 7A | 66 BPM | ||
West Side Story: V. Maria | Leonard Bernstein, José Carreras, Orchestra | E♭ Major | 1 | 5B | 90 BPM | ||
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Luciano Pavarotti, Wiener Opernorchester, Nicola Rescigno | C Major | 4 | 8B | 82 BPM |