Marilyn Horne, Pearl Bailey, Joe Crawford, Bernice Peterson, Brock Peters made "Quintet: Whizzin Away Along De Track (from "Carmen Jones")" available on January 29, 1900. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 12 in Carmen Jones (Original Cast Recording) by Marilyn Horne. Quintet: Whizzin Away Along De Track (from "Carmen Jones") is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Quintet: Whizzin Away Along De Track (from "Carmen Jones") by Marilyn Horne, Pearl Bailey, Joe Crawford, Bernice Peterson, Brock Peters is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Lieder aus "Lotosblätter", Op. 19, TrV 152: Schön sind, doch kalt die Himmelssterne | Richard Strauss, Marilyn Horne, Martin Katz | D♭ Major | 1 | 3B | 92 BPM | ||
Jeannie with the light brown hair (Arr. Matthews) | Stephen Collins Foster, Marilyn Horne, Osian Ellis | D Major | 0 | 10B | 91 BPM | ||
Andrea Chénier: Un dì all'azzurro spazio | Umberto Giordano, José Carreras, Giuseppe Patanè, Hungarian State Orchestra | B♭ Major | 2 | 6B | 84 BPM | ||
Orfeo ed Euridice / Act 3: Recitativo: "Vieni, segui i miei passi" | Christoph Willibald Gluck, Marilyn Horne, Pilar Lorengar, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 1 | 8B | 82 BPM | ||
Il Barbiere di Siviglia: Finaletto II: Di sì felice innesto - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 95 BPM | ||
5 Lieder, Op. 39, TrV 189: Befreit | Richard Strauss, Marilyn Horne, Martin Katz | D♭ Major | 1 | 3B | 92 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
Der Freischütz, J. 277 / Act 3: "Wir winden dir den Jungfernkranz" | Carl Maria von Weber, Renate Hoff, Renate Krahmer, Ingeborg Springer, Brigitte Pfretzschner, Ingrid Hille, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 0 | 8B | 99 BPM | ||
Gounod: Faust, Act 2: "Ainsi que la brise légère" (Chorus, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, José van Dam, Martine Mahé, Richard Leech, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Carmen, WD 31 / Act II: "Les tringles des sistres tintaient" | Georges Bizet, Colette Boky, Marcia Baldwin, Marilyn Horne, Metropolitan Opera Orchestra, Leonard Bernstein | C Major | 2 | 8B | 109 BPM |