Emmerich Kálmán, Herta Talmar, Fritz Wunderlich, Grosses Operetten Orchester, Franz Marszalek's 'The Gypsy Princess (Die Csárdásfürstin): "Mädchen gibt es wunderfeine"' came out on January 1, 1993. With The Gypsy Princess (Die Csárdásfürstin): "Mädchen gibt es wunderfeine" being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emmerich Kálmán, Reinhold Bartel, Rita Bartos, Benno Kusche, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek's "Gräfin Mariza - Die Csárdásfürstin - Die Zirkusprinzessin" album is number 14 out of 32. The Gypsy Princess (Die Csárdásfürstin): "Mädchen gibt es wunderfeine" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Gypsy Princess (Die Csárdásfürstin): "Mädchen gibt es wunderfeine" by Emmerich Kálmán, Herta Talmar, Fritz Wunderlich, Grosses Operetten Orchester, Franz Marszalek to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Viejecita: Preludio | Orquesta De Camara De Madrid | D Major | 1 | 10B | 135 BPM | ||
Nein, länger trag ich nicht | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | E♭ Major | 1 | 5B | 89 BPM | ||
Lebensmärchen, Op. 253 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 1 | 9B | 176 BPM | ||
Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Einmal nur - Es muß was Wunderbares sein (Josepha - Leopold) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | A♭ Major | 3 | 4B | 129 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM | ||
Les Pêcheurs de perles: C'est elle! Elle vient...Sois la bienvenue (Fishermen, Villagers) | Georges Bizet, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | D Minor | 8 | 7A | 140 BPM | ||
Loewe: My fair lady: "I could have danced all night" (Eliza Doolittle) | Frederick Loewe, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | C Major | 5 | 8B | 153 BPM | ||
Immer nur lächeln - aus „Das Land des Lächelns“ | Rudolf Schock | D Major | 1 | 10B | 80 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM |