"Nein, länger trag ich nicht" by Berliner Philharmoniker, Chor der Deutschen Oper Berlin was released on November 9, 2012. Since Nein, länger trag ich nicht is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 32 in Der Freischütz by Berliner Philharmoniker, Chor der Deutschen Oper Berlin. Nein, länger trag ich nicht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nein, länger trag ich nicht by Berliner Philharmoniker, Chor der Deutschen Oper Berlin is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank) | Johann Strauss II, Chen Reiss, Sabine Kallhammer, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 1 | 9B | 137 BPM | ||
J. Strauss II: Lob der Frauen, Op. 315 | Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker | D Major | 0 | 10B | 125 BPM | ||
Les Contes d'Hoffmann / Act 1: "Deux heures devant moi!" | Jacques Offenbach, Andreas Schmidt, Kurt Rydl, Orchestre National De France, Seiji Ozawa | C Major | 3 | 8B | 143 BPM | ||
Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja" | Franz Lehár, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner, The Monteverdi Choir | E Minor | 1 | 9A | 73 BPM | ||
Die erste Walpurgisnacht, Op. 60: Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus) | Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Eberhard Büchner | F Major | 1 | 7B | 68 BPM | ||
Macbeth / Act II: Si colmi il calice | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Alfredo Mariotti, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | F Major | 2 | 7B | 86 BPM | ||
Symphony No. 1 in C Minor, Op. 68: 3. Un poco allegretto e grazioso - Live | Johannes Brahms, Berliner Philharmoniker, Wilhelm Furtwängler | A♭ Major | 1 | 4B | 121 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
Die Fledermaus / Act 1: "So muss allein ich bleiben" | Johann Strauss II, Kiri Te Kanawa, Edita Gruberova, Wolfgang Brendel, Wiener Philharmoniker, André Previn | C Major | 2 | 8B | 131 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM |