Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Alfredo Mariotti, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi's 'Macbeth / Act II: Si colmi il calice' came out on January 1, 1976. Macbeth / Act II: Si colmi il calice is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. This song is part of Verdi: Macbeth by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #14 out of 31 tracks. Based on our data, Germany was the country where this track was produced or recorded. Macbeth / Act II: Si colmi il calice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Macbeth / Act II: Si colmi il calice by Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Alfredo Mariotti, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Macbeth / Act II: Si colmi il calice being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 2: "Un dì, quando le veneri" | Giuseppe Verdi, Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | D♭ Major | 1 | 3B | 82 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
I Puritani / Act 3: Credeasi, misera! | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, Nicolai Ghiaurov, Piero Cappuccilli, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 86 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 3: Guerra, guerra! La galliche selve (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A Major | 3 | 11B | 136 BPM | ||
Rigoletto - Si, Vendetta, Tremenda Vendetta | Piero Cappuccilli, Margherita Rinaldi | A♭ Major | 3 | 4B | 78 BPM | ||
La traviata, Act I: Ebben, che diavol fate? (Live) | Giuseppe Verdi, Nadine Sierra, Francesco Meli, Luca Bernard, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | E♭ Major | 1 | 5B | 101 BPM | ||
Nabucco / Act 4: Oh! chi vegg'io | Giuseppe Verdi, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | G Major | 0 | 9B | 85 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Fine al rito e il sacro bosco (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Major | 1 | 6B | 57 BPM | ||
Les Contes d'Hoffmann / Act 2: Une poupée aux yeux d'émail | Jacques Offenbach, Huguette Tourangeau, Plácido Domingo, L'Orchestre de la Suisse Romande, Richard Bonynge | G Major | 1 | 9B | 130 BPM | ||
Nabucco / Act 3: Eccelsa Donna | Giuseppe Verdi, Kurt Rydl, Ghena Dimitrova, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | B♭ Minor | 1 | 3A | 104 BPM |