Piero Cappuccilli, Margherita Rinaldi's 'Rigoletto - Si, Vendetta, Tremenda Vendetta' came out on January 1, 1991. The duration of Rigoletto - Si, Vendetta, Tremenda Vendetta is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Rigoletto - Si, Vendetta, Tremenda Vendetta's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rigoletto - Highlights". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Rigoletto - Si, Vendetta, Tremenda Vendetta is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rigoletto - Si, Vendetta, Tremenda Vendetta by Piero Cappuccilli, Margherita Rinaldi having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
Dunque Io Son...Tu Non M' Inganni | Gioachino Rossini, Riccardo Chailly | G Major | 1 | 9B | 125 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Carmen (1997 - Remaster), Act II: Messieurs, Pastia me dit | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 1 | 10B | 134 BPM | ||
Il barbiere di Siviglia / Act 1: Cavatina: "Ecco, ridente in cielo" | Gioachino Rossini, Ugo Benelli, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 129 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) | Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Jan-Hendrik Rootering, Samuel Ramey, William Schimell, Wiener Philharmoniker | F Major | 2 | 7B | 94 BPM | ||
Zaza: Zaza, Act IV: Zaza, piccola zingara | Ruggero Leoncavallo, Piero Cappuccilli, Leone Magiera | F Major | 4 | 7B | 144 BPM | ||
La bohème / Act 3: "Musetta! O gioia della mia dimora! - Testa adorata" - Remastered | Ruggero Leoncavallo, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda | E♭ Minor | 2 | 2A | 82 BPM | ||
Ponchielli: La Gioconda,Act 1: "Che? La plebe or qui si arroga" (Alvise, Chorus, Gioconda, Laura, Barnaba, Enzo) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Fiorenza Cossotto, Ivo Vinco, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro, Piero Cappuccilli | D Minor | 2 | 7A | 74 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM |