Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)

Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Jan-Hendrik Rootering, Samuel Ramey, William Schimell, Wiener Philharmoniker
Mozart: The Da Ponte Operas
5:34 1988年10月31日
テンポ
94
キー
F Major
キャメロットミュージックキー
7B

リンクを埋め込む

共有

Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) - Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Jan-Hendrik Rootering, Samuel Ramey, William Schimell, Wiener Philharmoniker 情報

音響性
99%
ダンサビリティ
36%
エネルギー
17%
手段性
1%
活気
9%
ラウドネス
64%
話し言葉
5%
価数
28%
人気
ラウドネス
-21.33 dB

まとめ

Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Jan-Hendrik Rootering, Samuel Ramey, William Schimell, Wiener Philharmoniker's 'Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)' came out on October 31, 1988. Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 2 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) テンポ

We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) by Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Jan-Hendrik Rootering, Samuel Ramey, William Schimell, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) キー

The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) by Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia OrchestraDon Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta)Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia OrchestraF Major37B84 BPM
Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) by Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia OrchestraDon Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro)Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia OrchestraA Major211B107 BPM
Don Giovanni, K.527, Act II, Scene 5: Don Giovanni, a cenar teco (Commendatore/Don Giovanni/Leporello/Coro) by Wiener Philharmoniker, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Konzertvereinigung der Wiener StaatsopernchorDon Giovanni, K.527, Act II, Scene 5: Don Giovanni, a cenar teco (Commendatore/Don Giovanni/Leporello/Coro)Wiener Philharmoniker, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Konzertvereinigung der Wiener StaatsopernchorB♭ Major26B90 BPM
The Magic Flute, Act I: I'm sure that there could never be by Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Barry Banks, Majella Cullagh, Sarah Fox, Diana MontagueThe Magic Flute, Act I: I'm sure that there could never beWolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Barry Banks, Majella Cullagh, Sarah Fox, Diana MontagueE♭ Major25B131 BPM
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella by Carl Orff, Riccardo Muti, Arleen Auger, Philharmonia OrchestraOrff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puellaCarl Orff, Riccardo Muti, Arleen Auger, Philharmonia OrchestraB♭ Minor03A79 BPM
Pique Dame: Overture by Franz von Suppé, Gustavo Dudamel, Wiener PhilharmonikerPique Dame: OvertureFranz von Suppé, Gustavo Dudamel, Wiener PhilharmonikerD Major210B82 BPM
Ein deutsches Requiem, Op.45: 4. Chor: Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!"Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener SingvereinE♭ Major15B130 BPM
Manon Lescaut / Act 1: Donna non vidi mai by Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James LevineManon Lescaut / Act 1: Donna non vidi maiGiacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James LevineB♭ Major36B79 BPM
Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis by Carl Orff, Riccardo Muti, Jonathan Summers, The Philharmonia Chorus, Philharmonia OrchestraOrff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas CucaniensisCarl Orff, Riccardo Muti, Jonathan Summers, The Philharmonia Chorus, Philharmonia OrchestraA♭ Major24B84 BPM
Don Pasquale, Act III Sesta Scena: Bravo, bravo, Don Pasquale (Malatesta/Norina/Ernesto/Pasquale/Coro) by Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia OrchestraDon Pasquale, Act III Sesta Scena: Bravo, bravo, Don Pasquale (Malatesta/Norina/Ernesto/Pasquale/Coro)Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia OrchestraB♭ Major26B101 BPM
ISRC
GBAYC9004364
レコードレーベル
L-M Records/RCA Records