"Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella" by Carl Orff, Riccardo Muti, Arleen Auger, Philharmonia Orchestra was released on 1980. With Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina burana". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella by Carl Orff, Riccardo Muti, Arleen Auger, Philharmonia Orchestra having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs of the Auvergne: "Pour l'enfant" | Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard | B♭ Minor | 0 | 3A | 83 BPM | ||
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
Péchés de vieillesse, Vol. 11 "Miscellanée de musique vocale": No. 1, Ariette villageoise | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | G Major | 1 | 9B | 85 BPM | ||
Lucia di Lammermoor / Act 1: "Ancor non giunse!" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 80 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Tannhäuser - Paris version / Act 1: "Frau Holda kam aus dem Berg hervor" | Richard Wagner, Barbara Bonney, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 78 BPM | ||
Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 94 BPM | ||
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM |