"La Vestale (1997 Digital Remaster): O nome tutelar" by Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano was released on 1997. The duration of La Vestale (1997 Digital Remaster): O nome tutelar is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. La Vestale (1997 Digital Remaster): O nome tutelar's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 6 in Callas at La Scala by Maria Callas. La Vestale (1997 Digital Remaster): O nome tutelar is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Vestale (1997 Digital Remaster): O nome tutelar by Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea) | Luigi Cherubini, Maria Callas, Orchestra La Scala di Milano, Thomas Schippers | C Major | 3 | 8B | 92 BPM | ||
Il Barbiere di Siviglia: Una voce poco fa | Gioachino Rossini, Marilyn Horne, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | C Minor | 1 | 5A | 61 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
Puccini: Turandot, Act 1: "Signore, ascolta!" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
Semiramide (2002 - Remaster): Bel raggio lusinghier (Act I) | Gioachino Rossini, Maria Callas, Coro e Orchestra della Radiotelevisione, Milano, Orchestra della Radiotelevisione Italiana Milano, Alfredo Simonetto, Italiana Radiotelevision Orchestra | F Minor | 1 | 4A | 122 BPM | ||
Norma: Act I: Introduction Instrumental | Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 3 | 9B | 100 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM |