"La Bohème: Si, mi chiamano Mimì" by Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri was released on April 11, 2012. With this song being about 5 minutes long, at 5:20, "La Bohème: Si, mi chiamano Mimì" by Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mirella Freni's "Mirella Freni - The first Recitals" album is number 8 out of 13. On top of that, Austria appears to be the country where this track was created. In terms of popularity, La Bohème: Si, mi chiamano Mimì is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bohème: Si, mi chiamano Mimì by Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH 5 / Act III: Scene And Arioso. "Itak, poidyom, tebya predstavlyu ya" - "Uzhel ta samaya Tatyana" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Paata Burchuladze, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Le nozze di Figaro / Act 1: "Cinque... deci... venti..." - "Cosa stai misurando" | Wolfgang Amadeus Mozart, Mirella Freni, Wladimiro Ganzarolli, BBC Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Adriana Lecouvreur, Act I: Io son l'umile ancella | Francesco Cilea, Mirella Freni, Munich Radio Orchestra, Kurt Peter Eichhorn | A♭ Major | 1 | 4B | 88 BPM | ||
Manon Lescaut / Act I: Non c'è più vino? | Giacomo Puccini, Mirella Freni, Robert Gambill, Plácido Domingo, Renato Bruson, Kurt Rydl, George MacPherson, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 66 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Manon Lescaut: Act II: In quelle trine morbide | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM |