"Manon Lescaut: Act II: In quelle trine morbide" by Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari was released on August 25, 1992. The duration of Manon Lescaut: Act II: In quelle trine morbide is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Manon Lescaut: Act II: In quelle trine morbide's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. Manon Lescaut: Act II: In quelle trine morbide is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut: Act II: In quelle trine morbide by Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Margreta Elkins, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 1 | 3B | 74 BPM | ||
Puccini: Madama Butterfly, Act 1: "Sorride Vostro Onore?" (Suzuki, Pinkerton, Goro, Sharpless) | Giacomo Puccini, Antonio Pappano, Enkelejda Shkosa, Fabio Maria Capitanucci, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 115 BPM | ||
Gemma di Vergy, A 44, IGD 37, Act II: "E' dessa in mio potere" (Gemma, Conte, Ida, Tamas) | Gaetano Donizetti, Nouvel Orchestre Philharmonique, Armando Gatto, Montserrat Caballé, Vicente Sardinero, Anna Ringart, Luis Lima | G Major | 2 | 9B | 75 BPM | ||
Aranci, datteri! (Coro/Schaunard/Colline/Rodolfo/Mimì/Marcello/Ragazzi) - 1997 Remastered Version | Giacomo Puccini, Manuel Spatafora, Nicola Zaccaria, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Coro Del Teatro Alla Scala Di Milano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | F Minor | 4 | 4A | 105 BPM | ||
Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table | Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | G Minor | 1 | 6A | 85 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Puccini: La bohème, Act 4: "Oh Dio! Mimi!" (Rodolfo/Schaunard/Mimì/Musetta/Marcello/Colline) | Giacomo Puccini, Giuseppe Di Stefano, Manuel Spatafora, Maria Callas, Anna Moffo, Rolando Panerai, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Major | 0 | 11B | 80 BPM | ||
Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello) | Giacomo Puccini, Giuseppe Di Stefano, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | C Major | 1 | 8B | 137 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
La Bohème / Act 3: "Donde lieta uscì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 119 BPM |