"Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée" by Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre was released on 1997. With this song being about 5 minutes long, at 4:41, "Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée" by Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Maria Callas's "Maria Callas" album is number 14 out of 27. In terms of popularity, Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée by Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Lucrezia Borgia - Act I - Com'è bello! Quale incanto | Gaetano Donizetti, Montserrat Caballé, Carlo Felice Cillario | E♭ Major | 1 | 5B | 63 BPM | ||
Puccini: Tosca, Act 1 Scene 5: "Ah, quegli occhi…" (Tosca, Cavaradossi) | Giacomo Puccini, Maria Callas, Renato Cioni, Tito Gobbi, Victor Godfrey, Robert Bowman, Dennis Wicks, David Sellar, Eric Garrett, Carlo Felice Cillario, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Edgar Boniface | B♭ Major | 3 | 6B | 76 BPM | ||
Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | D♭ Major | 0 | 3B | 81 BPM | ||
Mascagni: L'amico Fritz, Act 3 Scene 3: "O amore, o bella luce del core" (Fritz) | Pietro Mascagni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 93 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
Verdi: La traviata, Act 1 Scene 5: "Ah, fors'è lui lui che I'anima" (Violetta) | Giuseppe Verdi, Maria Callas, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Franco Ghione, Orquestra Sinfónica do Teatro Nacional de São Carlos Lisboa | F♯ Major | 1 | 2B | 81 BPM |