"Gemma di Vergy, A 44, IGD 37, Act II: "E' dessa in mio potere" (Gemma, Conte, Ida, Tamas)" by Gaetano Donizetti, Nouvel Orchestre Philharmonique, Armando Gatto, Montserrat Caballé, Vicente Sardinero, Anna Ringart, Luis Lima was released on June 1, 1995. With this song being about 5 minutes long, at 4:42, "Gemma di Vergy, A 44, IGD 37, Act II: "E' dessa in mio potere" (Gemma, Conte, Ida, Tamas)" by Gaetano Donizetti, Nouvel Orchestre Philharmonique, Armando Gatto, Montserrat Caballé, Vicente Sardinero, Anna Ringart, Luis Lima is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 27 out of 34 in Donizetti: Gemma Di Vergy by Gaetano Donizetti, Armando Gatto, Nouvel Orchestre Philharmonique. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Gemma di Vergy, A 44, IGD 37, Act II: "E' dessa in mio potere" (Gemma, Conte, Ida, Tamas) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gemma di Vergy, A 44, IGD 37, Act II: "E' dessa in mio potere" (Gemma, Conte, Ida, Tamas) by Gaetano Donizetti, Nouvel Orchestre Philharmonique, Armando Gatto, Montserrat Caballé, Vicente Sardinero, Anna Ringart, Luis Lima is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM | ||
Don Giovanni, K.527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado | D Major | 2 | 10B | 90 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato | F♯ Minor | 3 | 11A | 89 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Werther: Pourquoi me réveiller | Jules Massenet, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | F♯ Minor | 1 | 11A | 67 BPM |