Giacomo Puccini, Manuel Spatafora, Nicola Zaccaria, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Coro Del Teatro Alla Scala Di Milano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan made "Aranci, datteri! (Coro/Schaunard/Colline/Rodolfo/Mimì/Marcello/Ragazzi) - 1997 Remastered Version" available on 1958. The duration of Aranci, datteri! (Coro/Schaunard/Colline/Rodolfo/Mimì/Marcello/Ragazzi) - 1997 Remastered Version is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Aranci, datteri! (Coro/Schaunard/Colline/Rodolfo/Mimì/Marcello/Ragazzi) - 1997 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano's "La Bohème - Puccini" album is number 9 out of 26. In terms of popularity, Aranci, datteri! (Coro/Schaunard/Colline/Rodolfo/Mimì/Marcello/Ragazzi) - 1997 Remastered Version is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Aranci, datteri! (Coro/Schaunard/Colline/Rodolfo/Mimì/Marcello/Ragazzi) - 1997 Remastered Version by Giacomo Puccini, Manuel Spatafora, Nicola Zaccaria, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Coro Del Teatro Alla Scala Di Milano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
I'te vurria vasa | Giuseppe Di Stefano, Dino Olivieri, Olivieri Orchestra | F Minor | 3 | 4A | 85 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
Bellini: I puritani, Act 2 Scene 3: Cabaletta, "Vien diletto, è in ciel la luna" (Elvira) | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Minor | 1 | 6A | 62 BPM | ||
Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) | Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
La Cenerentola (1997 - Remaster): Nacqui all'affanno e al pianto.....Non più mesta (Act II) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 185 BPM | ||
Lucia di Lammermoor / Act 3: "Tombe degli avi miei" | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 111 BPM | ||
Il Turco in Italia / Act 2: "Tu seconda il mio disegno" | Gioachino Rossini, Ramón Vargas, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B Minor | 0 | 10A | 73 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Bimba dagli occhi pieni ci malia | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | A Major | 1 | 11B | 89 BPM |