"La Gioconda, Act IV: Suicido! …" by Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto was released on June 29, 2010. With this song being about 5 minutes long, at 4:35, "La Gioconda, Act IV: Suicido! …" by Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 11 in Callas, Maria: Liebeslieder by Maria Callas, Tullio Serafin, Herbert von Karajan, Antonino Votto, Oliviero de Fabritiis, Vittorio Gui, Arturo Basile. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. La Gioconda, Act IV: Suicido! … is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Gioconda, Act IV: Suicido! … by Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 88 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | D♭ Major | 2 | 3B | 88 BPM | ||
Mascagni: Cavalleria rusticana: No. 6, Romanza e Scena, "Voi lo sapete, o mamma" (Santuzza, Lucia) | Pietro Mascagni, Maria Callas, Ebe Ticozzi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Major | 2 | 12B | 79 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Bellini: Norma, Act 1: "Adalgisa!" - "Alma costanza" (Norma, Adalgisa) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 72 BPM | ||
'T was Not the Wind | Nikolai Rimsky-Korsakov, Anna Netrebko | F Major | 1 | 7B | 81 BPM | ||
Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM |