"Bellini: Norma, Act 1: "Adalgisa!" - "Alma costanza" (Norma, Adalgisa)" by Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano was released on 1961. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 44 in Bellini: Norma (1960 - Serafin) - Callas Remastered by Vincenzo Bellini, Maria Callas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bellini: Norma, Act 1: "Adalgisa!" - "Alma costanza" (Norma, Adalgisa) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: Norma, Act 1: "Adalgisa!" - "Alma costanza" (Norma, Adalgisa) by Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Casta Diva [Norma] | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 59 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Pique Dame, Op. 68, TH. 10: Akh, istomilas ya gorem | Pyotr Ilyich Tchaikovsky, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | G Minor | 1 | 6A | 79 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Franco Corelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B Minor | 1 | 10A | 84 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Prunier, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM |