"Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix"" by Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim was released on January 1, 1979. Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Saint-Saëns: Samson et Dalila". In this album, this song's track order is #7. Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" by Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Romance pour cor et orchestre, Op. 36 (Version for Cello and Piano) | Camille Saint-Saëns, Roland Pidoux | F Major | 0 | 7B | 132 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Truman Sleeps - From “The Truman Show” / Short Version | Philip Glass, Valentina Lisitsa | A♭ Major | 0 | 4B | 95 BPM | ||
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra | A Major | 0 | 11B | 86 BPM | ||
The Swan (The Carnival of the Animals) | Camille Saint-Saëns, Music Lab Collective | C Major | 1 | 8B | 71 BPM | ||
13 Pieces for Piano, Op. 76: II. Etude | Jean Sibelius, Jian Wang, Göran Söllscher | G Minor | 0 | 6A | 124 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM |