"Bellini: I puritani, Act 2 Scene 3: Cabaletta, "Vien diletto, è in ciel la luna" (Elvira)" by Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan was released on 1953. The duration of Bellini: I puritani, Act 2 Scene 3: Cabaletta, "Vien diletto, è in ciel la luna" (Elvira) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Bellini: I puritani, Act 2 Scene 3: Cabaletta, "Vien diletto, è in ciel la luna" (Elvira)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vincenzo Bellini - I Puritani by Vincenzo Bellini, Maria Callas, Tullio Serafin. The song's track number on the album is #6 out of 41 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Bellini: I puritani, Act 2 Scene 3: Cabaletta, "Vien diletto, è in ciel la luna" (Elvira) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Bellini: I puritani, Act 2 Scene 3: Cabaletta, "Vien diletto, è in ciel la luna" (Elvira) by Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Bellini: I puritani, Act 2 Scene 3: Cabaletta, "Vien diletto, è in ciel la luna" (Elvira) being at 62 テンポ, the half-time would be 31 テンポ with a double-time of 124 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, Muenchner Rundfunkorchester | B♭ Major | 1 | 6B | 131 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Di quella pira | Mario del Monaco | C Major | 3 | 8B | 172 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
I Capuleti e i Montecchi / Act 1: Eccomi...Oh! quante volte | Vincenzo Bellini, Kathleen Battle, John Constable, London Philharmonic Orchestra, Bruno Campanella | E♭ Major | 0 | 5B | 135 BPM | ||
Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Mozart: Cosi fan tutte, K. 588, Act 1: "Soave sia il sento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Alain Lombard, Frederica von Stade, Jules Bastin, Kiri Te Kanawa, Orchestre Philharmonique De Strasbourg | A♭ Major | 0 | 4B | 181 BPM |