"Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I)" by Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra was released on 2004. Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There is only one song in 100 Best Opera Classics, so we believe that "Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I)" is a single. Based on our statistics, Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) by Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 2: "Stride la vampa!...Mesta è la tua canzon!" | Giuseppe Verdi, Marilyn Horne, Luciano Pavarotti, Peter Knapp, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 1 | 8B | 83 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | B♭ Major | 1 | 6B | 82 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Gieseking: Kinderlieder: No. 16, Hansel und Gretel - No. 17, Kinderküche - No. 18, Der Reitersmann | Walter Gieseking, Elisabeth Schwarzkopf | A Major | 0 | 11B | 145 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Brahms: 49 Deutsche Volkslieder, WoO 33: No. 15, Schwestlein | Johannes Brahms, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, Gerald Moore | A Major | 1 | 11B | 101 BPM | ||
Grieg: 7 Children's Songs, Op. 61: No. 3, Lok | Edvard Grieg, Elisabeth Schwarzkopf, Gerald Moore | A Major | 0 | 11B | 145 BPM | ||
Frauenliebe und -leben Op.42: 4. Du Ring an meinem Finger | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | E♭ Major | 0 | 5B | 170 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM |