Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde"

Pyotr Ilyich Tchaikovsky, Mirella Freni, Staatskapelle Dresden, James Levine
Tchaikovsky: Eugen Onegin
14:04 1988年1月1日
テンポ
78
キー
E Minor
キャメロットミュージックキー
9A

リンクを埋め込む

共有

Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde" - Pyotr Ilyich Tchaikovsky, Mirella Freni, Staatskapelle Dresden, James Levine 情報

音響性
98%
ダンサビリティ
24%
エネルギー
20%
手段性
0%
活気
7%
ラウドネス
74%
話し言葉
6%
価数
6%
人気
ラウドネス
-15.808 dB

まとめ

"Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde"" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Staatskapelle Dresden, James Levine was released on January 1, 1988. Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde" appears to be safe for all ages as it is not explicit. There are a total of 24 in the song's album "Tchaikovsky: Eugen Onegin". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde" テンポ

With Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Staatskapelle Dresden, James Levine having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde" キー

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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ISRC
DEF058731105
レコードレーベル
L-M Records/RCA Records