"Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde"" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Staatskapelle Dresden, James Levine was released on January 1, 1988. Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde" appears to be safe for all ages as it is not explicit. There are a total of 24 in the song's album "Tchaikovsky: Eugen Onegin". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH. 5 / Act I: "Puskai pogilabnu ya, no pryezhde" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Staatskapelle Dresden, James Levine having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Madama Butterfly / Act 2: Come una mosca prigionera | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 137 BPM | ||
Stabat Mater, FP 148: 6. Vidit suum | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 1 | 8B | 103 BPM | ||
Falstaff / Act 3: "Sul fil d'un soffio etesio" | Giuseppe Verdi, Mirella Freni, RCA Italiana Opera Orchestra, Sir Georg Solti | A Major | 1 | 11B | 108 BPM | ||
Tristan und Isolde / Act 1: "Auf! Auf! Ihr Frauen!" | Richard Wagner, Margaret Price, Brigitte Fassbaender, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 78 BPM | ||
Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table | Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | G Minor | 1 | 6A | 85 BPM | ||
Meyerbeer: Les Huguenots: Et maintenant je dois offrir - Act Two | Giacomo Meyerbeer, Rita Shane, Nicolai Gedda, Jeanette Scovotti, Radio Austria Chorus, Dimiter Petkov, Pedro Farres, Justino Diaz, Enriqueta Tarres | D♭ Major | 6 | 3B | 97 BPM | ||
Madama Butterfly / Act 2: E Izaghi ed Izanami, Sarundasico e Kami | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 169 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Non mi dir, bell'idol mio" | Wolfgang Amadeus Mozart, Diana Damrau, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 1 | 7B | 110 BPM | ||
Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" | Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 173 BPM |