"Nabucco / Act 4: Oh! chi vegg'io" by Giuseppe Verdi, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin was released on January 1, 1983. With Nabucco / Act 4: Oh! chi vegg'io being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Verdi: Nabucco by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli. The song's track number on the album is #23 out of 44 tracks. Nabucco / Act 4: Oh! chi vegg'io is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco / Act 4: Oh! chi vegg'io by Giuseppe Verdi, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nabucco / Act 4: Oh! chi vegg'io being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 1 | 7B | 170 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
L'amico Fritz / Act 1: Son pochi fiori | Pietro Mascagni, Angela Gheorghiu, Roberto Alagna, Orchester der Deutschen Oper Berlin, Alberto Veronesi | E♭ Major | 1 | 5B | 96 BPM | ||
Salome, Op. 54 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?" | Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Major | 3 | 10B | 78 BPM | ||
Salome, Op. 54 / Scene 4: "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben!" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Uwe Peper, Karl-Ernst Mercker, Peter Maus, Warren Mok, Friedrich Molsberger, Manfred Röhrl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Minor | 4 | 7A | 86 BPM | ||
Te Deum, WAB 45: 3. Aeterna fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | B♭ Major | 4 | 6B | 64 BPM | ||
Otello / Act 4: "Piangea cantando nell'erma landa..." | Giuseppe Verdi, Kiri Te Kanawa, Elzbieta Ardam, Chicago Symphony Orchestra, Sir Georg Solti | B Major | 0 | 1B | 168 BPM | ||
Aida: Act II: Ma tu, Re, tu signore possente | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | F Major | 4 | 7B | 146 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM |