"Die erste Walpurgisnacht, Op. 60: Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus)" by Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Eberhard Büchner was released on 1974. With Die erste Walpurgisnacht, Op. 60: Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Kurt Masur, MDR Leipzig Radio Chorus, Leipzig Gewandhaus Orchestra, Leipzig Radio Chorus, male section, Leipzig Radio Chorus, female section's "Mendelssohn Bartholdy: Die Erste Walpurgisnacht / Infelice / Ouverture zum Marchen von der schonen Melusine" album is number 10 out of 15. On top of that, Germany appears to be the country where this track was created. Die erste Walpurgisnacht, Op. 60: Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die erste Walpurgisnacht, Op. 60: Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus) by Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Eberhard Büchner to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Uf dem Anger: Reie - "Swaz hie gat umbe" - "Chume, chum geselle min" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 0 | 7B | 135 BPM | ||
Stabat Mater: 4. Pro peccatis suae gentis | Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | C Major | 3 | 8B | 80 BPM | ||
La Cenerentola / Act 1: "Miei rampolli femminini" | Gioachino Rossini, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
Die Fledermaus: Act I: Duettino: Ach, ich darf nicht hin zu ihr (Rosalinde, Adele) | Johann Strauss II, Aga Mikolaj, Chen Reiss, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Rastlose Liebe, D.138 (Op.5/1) | Franz Schubert, Jessye Norman, Phillip Moll | B♭ Major | 0 | 6B | 108 BPM | ||
Alceste (Sung in French), Act I: Act I: Air: Divinites du Styx (Alcestis) | Christoph Willibald Gluck, Jessye Norman, Bavarian Radio Symphony Orchestra, Serge Baudo | F Major | 2 | 7B | 73 BPM | ||
Myrthen, Op. 25: 24. Du bist wie eine Blume | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F♯ Major | 0 | 2B | 131 BPM | ||
Ach, wie so herrlich zu schaun (From "Eine Nacht in Venedig") | Johann Strauss II, Jonas Kaufmann, Ádám Fischer | F Major | 2 | 7B | 137 BPM | ||
Die Fledermaus / Act 2: "Ich lade gern mir Gäste ein" | Johann Strauss II, Brigitte Fassbaender, Wolfgang Brendel, Wiener Philharmoniker, André Previn | D♭ Major | 1 | 3B | 77 BPM | ||
Verdi : Messa da Requiem : XIV Agnus Dei | Giuseppe Verdi, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Major | 2 | 2B | 109 BPM |