Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet made "Médée, H. 491, Act II: Suite de la passacaille" available on January 5, 2024. With Médée, H. 491, Act II: Suite de la passacaille being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 120 in Charpentier: Médée by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Médée, H. 491, Act II: Suite de la passacaille's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Médée, H. 491, Act II: Suite de la passacaille by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet is Allegro (fast, quick, and bright), since this song has a tempo of 141 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
[Suite en ré majeur]: II. Allemande la Flateuse (No. 48) | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 78 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers | Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 84 BPM | ||
Il Flaminio · Introduzione: I. 01 Allegro e spiritoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Water Music Suite No. 2 in F Major, HWV 348: V. Presto | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 2 | 3B | 125 BPM | ||
Fragmens melodiques, ou Simphonies en trio, Op. 65: Chaconne | Joseph Bodin de Boismortier, Le Concert Spirituel, Herve Niquet | D♭ Major | 2 | 3B | 126 BPM | ||
Daphnis et Chloé, Op. 102, Act I: La nature en ces lieux | Joseph Bodin de Boismortier, Renaud Delaigue, Till Fechner, Le Concert Spirituel, Herve Niquet | F♯ Major | 1 | 2B | 135 BPM | ||
Suite in A Major, BWV 1025: VI. Menuet | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | A♭ Major | 1 | 4B | 135 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM |