Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol made "Suite in A Major, BWV 1025: VI. Menuet" available on May 10, 2024. With this song being about 5 minutes long, at 4:46, "Suite in A Major, BWV 1025: VI. Menuet" by Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Emelie Roos, Dohyo Sol's "Meetings with Bach" album is number 6 out of 15. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Suite in A Major, BWV 1025: VI. Menuet's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite in A Major, BWV 1025: VI. Menuet by Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A♭ Minor | 0 | 1A | 119 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: III. Larghetto | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Fantasia-Suite No. 8 in D Major: II. Almaine "La goutte" | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio | Jean-Marie Leclair, Emmanuele Baldini, Leonardo Bock | E♭ Major | 0 | 5B | 115 BPM | ||
Recorder Concerto No. 9 in A Minor: IV. Largo e piano | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Partita in C Minor, HWV 444: IV. Gavotte | George Frideric Handel, Fernando De Luca | B Minor | 3 | 10A | 89 BPM | ||
Brandenburg Concerto No. 3 In G Major, BWV 1048: II. Cadenza | Cologne Chamber Orchestra, Johann Sebastian Bach | A Minor | 2 | 8A | 89 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: III. Largo | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D Minor | 2 | 7A | 82 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ich Klag Den Tag | Hans Neusidler, Joachim Held | D Major | 2 | 10B | 140 BPM |