"Lachrimae or Seven Tears: IV. Lachrimae tristes" by John Dowland, Phantasm, Elizabeth Kenny was released on June 24, 2016. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 21 in Dowland: Lachrimae or Seven Tears by John Dowland, Elizabeth Kenny, Phantasm. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lachrimae or Seven Tears: IV. Lachrimae tristes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lachrimae or Seven Tears: IV. Lachrimae tristes by John Dowland, Phantasm, Elizabeth Kenny is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cara cossa: Gagliarda, "La cara cossa" | Marco Dall'Aquila, Shirley Rumsey | C Major | 0 | 8B | 125 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Pièces de viole, Livre IV, Suite d'un goût étranger: No. 82 in F Minor, La rêveuse | Marin Marais, Ensemble Fitzwilliam, Pascal Monteilhet | D♭ Major | 2 | 3B | 142 BPM | ||
Fantasia | Luis de Narváez, Shirley Rumsey | C Minor | 0 | 5A | 95 BPM | ||
Tant que vivrai | Claudin de Sermisy, Harmonia Recorder Ensemble | G Major | 0 | 9B | 124 BPM | ||
Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM | ||
Piva for Lute & Bass Viol | Joan Ambrosio Dalza, Geneva Baroque Duo | D♭ Major | 2 | 3B | 135 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
Mass For Four Voices: 1. Gloria | Thomas Tallis, The Hilliard Ensemble | C Major | 2 | 8B | 64 BPM | ||
Passe and Medio / Den iersten gaillarde | Tylman Susato, Capilla Flamenca | G Minor | 1 | 6A | 97 BPM |