"Passacaglia in D Minor, BuxWV 161" by Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas was released on May 25, 2018. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ensemble les Surprises, Louis-Noël Bestion de Camboulas's "Mysterien-Kantaten" album is number 4 out of 12. The popularity of Passacaglia in D Minor, BuxWV 161 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Passacaglia in D Minor, BuxWV 161 by Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas to be Presto (very, very fast) because the track has a tempo of 177 テンポ, a half-time of 88テンポ, and a double-time of 354 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesu, meine Freude in E Minor, BuxWV 60: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 167 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad latus: Aria "Salve latus salvatoris" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane | C Minor | 2 | 5A | 90 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
Flute Concerto No. 2 in C Minor: I. Prelude - Lentement | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D♭ Major | 0 | 3B | 79 BPM | ||
Dido & Aeneas, Z. 626, Act I Scene 1: Belinda & Chorus - “Shake the cloud from off your brow” | Henry Purcell, Elin Manahan Thomas, Armonico Consort, Christopher Monks | B Minor | 2 | 10A | 64 BPM | ||
Sonata No. 3 In E Minor, Op. 3: I. Vivace | Michel Blavet, Luc Beauséjour, Juan Manuel Quintana, Hélène Plouffe, Grégoire Jeay | E♭ Minor | 1 | 2A | 90 BPM | ||
Deitatis Majestatem: I. Deitatis Majestatem | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, André Morsch | C Minor | 2 | 5A | 75 BPM |