"Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers" by Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon was released on October 30, 2002. Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers appears to be safe for all ages as it is not explicit. The song is number 4 out of 9 in Charpentier, M.-A.: Noels and Christmas Motets, Vol. 2 by Marc-Antoine Charpentier, Kevin Mallon. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers by Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto in C Minor: II. Vivace | Christoph Graupner, Paolo Tognon, Capella Savaria, Pál Németh | B Minor | 1 | 10A | 116 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 121 BPM | ||
Marche de Timbales | Philidor le Cadet, Marie-Ange Petit, Les Arts Florissants, William Christie | A Major | 2 | 11B | 80 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Orphée descendant aux enfers, H. 471: "Quelle douce harmonie a frappé mon oreille ?" | Marc-Antoine Charpentier, A Nocte Temporis, Reinoud Van Mechelen, Philippe Froeliger, Lionel Meunier | C Major | 1 | 8B | 139 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM |