"Suite No. 1 in G Minor: IV. Saraband" by Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston was released on November 11, 2022. With Suite No. 1 in G Minor: IV. Saraband being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Matthew Locke, Fretwork's "Matthew Locke: The Little Consort" album is number 4 out of 40. On top of that, United Kingdom appears to be the country where this track was created. Suite No. 1 in G Minor: IV. Saraband is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No. 1 in G Minor: IV. Saraband by Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Fantasias: In nomine fantasy a 6 | Mark Padmore, Nigel North, Paul Nicholson, Fretwork, William Carter | D♭ Minor | 1 | 12A | 72 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Viola da Gamba Suite in D Major: VII. Tempo di minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 111 BPM | ||
Airs for the Autumn: Night Shade: I. Aria: Pastorale vivace | James Oswald, The Broadside Band | D♭ Major | 2 | 3B | 135 BPM | ||
Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo | Marco Uccellini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero | G Minor | 2 | 6A | 48 BPM | ||
Galliard in 3 parts (MB 48 No. 23) | Orlando Gibbons, Fretwork | F Minor | 2 | 4A | 118 BPM | ||
Byrd: Pavan & Galliard a 5 | William Byrd, Fretwork | F Minor | 0 | 4A | 78 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Sonata terza a violoncello solo e basso continuo: III. Largo | Giovanni Benedetto Platti, Hanna Salzenstein, Thibaut Roussel, Albéric Boullenois | D♭ Minor | 6 | 12A | 157 BPM |