Joseph Bodin de Boismortier, Renaud Delaigue, Till Fechner, Le Concert Spirituel, Herve Niquet's 'Daphnis et Chloé, Op. 102, Act I: La nature en ces lieux' came out on June 26, 2020. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 43 in Boismortier: Daphnis et Chloé, Op. 102 by Joseph Bodin de Boismortier, Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Daphnis et Chloé, Op. 102, Act I: La nature en ces lieux's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Daphnis et Chloé, Op. 102, Act I: La nature en ces lieux by Joseph Bodin de Boismortier, Renaud Delaigue, Till Fechner, Le Concert Spirituel, Herve Niquet is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinphonia No. 4 for Strings & Continuo in B-Flat Major, Op. 1.8: II. Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Minor | 2 | 9A | 126 BPM | ||
Sonata a tre No. 6 in G Minor, Op. 2: III. Grave | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM | ||
Organ Concerto in G Major, BWV 592 (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): III. Presto | Johann Sebastian Bach, Holland Baroque | F♯ Major | 2 | 2B | 120 BPM | ||
Premiere serenade ou Simphonie francoise, Op. 39: Gigue | Joseph Bodin de Boismortier, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 202 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: I. Prélude | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Telemann: Tafelmusik, Pt. 3, Ouverture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 130 BPM | ||
Vivaldi: Concerto for Violin and Cello in B-Flat Major, RV 547: II. Andante | Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro, Federico Guglielmo | B Major | 0 | 1B | 133 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM |