"Marais: Pièces en trio: Suite No. 4 en si bémol majeur: I. Prélude" by Marin Marais, Ensemble Amalia was released on September 15, 2023. With Marais: Pièces en trio: Suite No. 4 en si bémol majeur: I. Prélude being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Ensemble Amalia's "Marais: Trois suites en trio" album is number 22 out of 32. On top of that, France appears to be the country where this track was created. Marais: Pièces en trio: Suite No. 4 en si bémol majeur: I. Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marais: Pièces en trio: Suite No. 4 en si bémol majeur: I. Prélude by Marin Marais, Ensemble Amalia to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite En Mi Mineur: Fantaisie, II.97 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 2 | 2A | 66 BPM | ||
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa, Partie I "Non havea Febo ancora" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | C Major | 0 | 8B | 104 BPM | ||
Aria di Firenze per la C | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | D Major | 2 | 10B | 114 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
Concerto in A Minor for Flute and Strings: II. Gavotte I & II (Tendrement) | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 1 | 1A | 116 BPM | ||
Le Concert royal de la Nuit, Grand Ballet, Le Soleil: Les Planètes - Entrée du Roy représentant le Soleil levant - Entrée des Génies | Anonymous, Ensemble Correspondances, Sébastien Daucé | F♯ Minor | 1 | 11A | 62 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Alcione, Acte III Scène 4: Ritournelle violons - "Quoi, les soupirs et les pleurs d’Alcione" | Marin Marais, Jordi Savall, Lea Desandre, Cyril Auvity, Marc Mauillon, Le Concert Des Nations | D Major | 1 | 10B | 168 BPM |