Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï's 'Suite En Mi Mineur: Fantaisie, II.97 (Marais)' came out on January 1, 2003. With Suite En Mi Mineur: Fantaisie, II.97 (Marais) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï's "Marin Marais: Pieces De Viole Du Second Livre, 1701" album is number 2 out of 27. Suite En Mi Mineur: Fantaisie, II.97 (Marais) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite En Mi Mineur: Fantaisie, II.97 (Marais) by Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia "Les Pleurs D'Orphée", 1650 (Rossi) | Montserrat Figueras, Hespèrion XXI, Jordi Savall | C Major | 0 | 8B | 174 BPM | ||
Allemande BWV 1011 (Re Mineur) (Bach) | Jordi Savall | D Minor | 0 | 7A | 92 BPM | ||
Une jeune fillette (Mélodie populaire - Arrangement Jordi Savall) | Traditional, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Rolf Lislevand | A♭ Minor | 2 | 1A | 111 BPM | ||
III. 1525 Batalla de Pavía: Pavana "La Battaglia" (Instrumental) | Clément Janequin, Tylman Susato, Jordi Savall, Hespèrion XXI | A♭ Major | 2 | 4B | 140 BPM | ||
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: III. Sarabande | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | D♭ Major | 1 | 3B | 83 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Concerto for Viola d'amore, Lute, Strings and Basso Continuo in D Minor, RV 540: I. Allegro | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | D♭ Minor | 1 | 12A | 79 BPM | ||
Naïs - Tambourins I/II | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Minor | 4 | 12A | 135 BPM | ||
Suite En Mi Mineur: Gigue, II.102 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 2 | 2A | 78 BPM | ||
Te Deum: IV. Pleni sunt caeli | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 4 | 3B | 96 BPM |