Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon's 'Alcidiane: Petite Chaconne' came out on May 4, 1998. With Alcidiane: Petite Chaconne being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 6 out of 35. Based on our statistics, Alcidiane: Petite Chaconne's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcidiane: Petite Chaconne by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Allegro (fast, quick, and bright) because the track has a tempo of 150 テンポ, a half-time of 75テンポ, and a double-time of 300 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Alcyone Suite: Marche en rondeau | Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 2 | 12A | 129 BPM | ||
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 92 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno" | Diego Ortiz, Joel Frederiksen | E Major | 0 | 12B | 126 BPM | ||
Missa Solemnis: Benedictus | Johann Baptist Vanhal, Colin Ainsworth, Mary Enid Haines, Steven Pitkanen, Nina Scott Stoddart, TOWER Voices New Zealand, Aradia Ensemble, Uwe Grodd | B Minor | 2 | 10A | 88 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 16 (Duet and Chorus) | Henry Purcell, Nils Brown, Michael Colvin, Paul Grindlay, Meredith Hall, Gillian Keith, Brett Polegato, Rosemarie van der Hooft, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM |