William Boyce, Aradia Ensemble, Kevin Mallon made "Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace" available on May 1, 2005. With Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 23 in Boyce: Symphonies Nos. 1-8, Op. 2 by William Boyce. The popularity of Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace by William Boyce, Aradia Ensemble, Kevin Mallon is Presto (very, very fast), since this song has a tempo of 187 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.4 in F Major: 3. Gavot (Allegro) | William Boyce, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 160 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Overture in D Major, Op. 8, No. 2: II. Largo andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 0 | 10B | 92 BPM | ||
Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | ||
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM |