Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon's 'Alcyone Suite: Marche en rondeau' came out on November 19, 2013. With Alcyone Suite: Marche en rondeau being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jeanne Lamon, Tafelmusik Baroque Orchestra's "House of Dreams" album is number 17 out of 27. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Alcyone Suite: Marche en rondeau's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alcyone Suite: Marche en rondeau by Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Concerto for Viola da Gamba and Strings in A major: III. Largo | Johann Pfeiffer, Hille Perl | F Minor | 0 | 4A | 106 BPM | ||
La Terpsichore: V. Première sicilienne. Rondeau | Jean-Féry Rebel, Jordi Savall | D♭ Major | 1 | 3B | 84 BPM | ||
Forqueray, A: Pèces de viole, Suite No. 1 en ré mineur: V. La Portugaise. Marqué et d'aplomb | Antoine Forqueray, Jean Rondeau | D♭ Minor | 2 | 12A | 126 BPM | ||
Six German Dances, K. 536/567: No. 3 in B-Flat Major, K. 536 | Wolfgang Amadeus Mozart, Bruno Weil, Tafelmusik Baroque Orchestra | C Major | 3 | 8B | 101 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Joseph Haydn, Anner Bylsma, Jeanne Lamon, Tafelmusik Baroque Orchestra | F Major | 1 | 7B | 105 BPM | ||
L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall | E Major | 1 | 12B | 102 BPM | ||
[Suite en la mineur]: VI. Gigue (No. 6) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Minor | 1 | 1A | 102 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM |