Arthur Sullivan, The D'Oyly Carte Opera Company, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey made "H.M.S. Pinafore / Act 1: Sir Joseph's barge is seen" available on January 1, 1959. The duration of H.M.S. Pinafore / Act 1: Sir Joseph's barge is seen is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. H.M.S. Pinafore / Act 1: Sir Joseph's barge is seen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey's "Gilbert & Sullivan: H.M.S.Pinafore" album is number 10 out of 25. In terms of popularity, H.M.S. Pinafore / Act 1: Sir Joseph's barge is seen is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of H.M.S. Pinafore / Act 1: Sir Joseph's barge is seen by Arthur Sullivan, The D'Oyly Carte Opera Company, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die lustige Witwe / Act 2: Vilja-Lied | Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 97 BPM | ||
La Bohème / Act 4: "Oh Dio! Mimì!" | Giacomo Puccini, Gianni Maffeo, Mirella Freni, Luciano Pavarotti, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 108 BPM | ||
A Child of our Time, Part I: A Spiritual. Steal away (Soprano, Tenor, Chorus) | Michael Tippett, Pumeza Matshikiza, Joshua Stewart, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Die Fledermaus / Act 1: "Täubchen, das entflattert ist" | Johann Strauss II, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 65 BPM | ||
Patience / Act 1: If you're anxious for to shine in the high aesthetic.. | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | B♭ Major | 1 | 6B | 102 BPM | ||
Don Pasquale, Act I Quarta Scena: 'Quel guardo il cavaliere' (Norina) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 111 BPM | ||
The Pirates of Penzance: Oh, Better Far to Live and Die | Malcolm Rivers | C Major | 2 | 8B | 133 BPM | ||
The Pirates of Penzance: When the Foe-Man Bares His Steel | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | D Major | 3 | 10B | 59 BPM | ||
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
The Pirates of Penzance: Climbing Over Rocky Mountain | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM |