"Die lustige Witwe / Act 2: Vilja-Lied" by Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate was released on January 1, 1998. Die lustige Witwe / Act 2: Vilja-Lied is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Renée Fleming - The Beautiful Voice". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Die lustige Witwe / Act 2: Vilja-Lied is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die lustige Witwe / Act 2: Vilja-Lied by Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
Puts: The Hours, Act 1: "Clarissa! - Barbara!" (Barbara, Clarissa, Chorus, Virginia, Leonard) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kathleen Kim, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Tatjana: Russische Tänze | Franz Lehár, Max Schönherr, Grosses Wiener Rundfunkorchester | F Major | 5 | 7B | 115 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
La rosa y el sauce | Carlos Antonio Guastavino, Anna Netrebko | F♯ Minor | 1 | 11A | 81 BPM | ||
Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
Strauss II, J: Frühlingsstimmen, Op. 410 | Johann Strauss II, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | E♭ Major | 2 | 5B | 106 BPM | ||
Tosca / Act 1: "Tre sbirri...Una carozza...Presto"...Te Deum | Giacomo Puccini, Sherrill Milnes, Michel Sénéchal, Wandsworth School Boys Choir, The London Opera Chorus, National Philharmonic Orchestra, Nicola Rescigno | E♭ Major | 3 | 5B | 79 BPM | ||
Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara) | George Gershwin, Ira Gershwin, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM |