"La rosa y el sauce" by Carlos Antonio Guastavino, Anna Netrebko was released on January 1, 2008. The duration of La rosa y el sauce is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. La rosa y el sauce's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Souvenirs". In this album, this song's track order is #16. La rosa y el sauce is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La rosa y el sauce by Carlos Antonio Guastavino, Anna Netrebko having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Les Pecheurs de Perles) (new edition of original 1863 version: part orch. A. Hammond), ACTE I: Je crois entendre encore (Nadir) | Georges Bizet, John Aler, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | A Minor | 0 | 8A | 174 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
La Tarde en Rincón | Lilia Salsano, Carlos Guastavino | B♭ Minor | 2 | 3A | 73 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Tannhäuser, WWV 70 / Act III: "Wie Todesahnung... O du mein holder Abendstern" | Richard Wagner, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 104 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
I Capuleti e i Montecchi: Eccomi in lieta vesta / Act 2: Nè alcun ritorna! - Live | Vincenzo Bellini, Anna Netrebko, Robert Gleadow, Wiener Symphoniker, Fabio Luisi | F Major | 2 | 7B | 105 BPM |