Malcolm Rivers's 'The Pirates of Penzance: Oh, Better Far to Live and Die' came out on November 1, 1991. The duration of The Pirates of Penzance: Oh, Better Far to Live and Die is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. The Pirates of Penzance: Oh, Better Far to Live and Die's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Pirates of Penzance: Oh, Better Far to Live and Die's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Pirates of Penzance: Oh, Better Far to Live and Die by Malcolm Rivers having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492, Act I: Duettino. Cinque… dieci… | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Alastair Miles, Nuccia Focile | C Minor | 1 | 5A | 61 BPM | ||
Please, I Am Here! | Malcolm Rivers, Michael Sadler, Paul Strathearn | B♭ Major | 5 | 6B | 130 BPM | ||
The Pirates of Penzance: I Am the Very Model | Eric Roberts | C Major | 2 | 8B | 133 BPM | ||
Il trovatore: Anvil Chorus 'Vedi le fosche notturne' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Lloyd: John Socman: Socman, Sybil, Richard, Farmer | George Lloyd, Philharmonia Orchestra, Janice Watson, Thomas Booth, David Wilson-Johnson, Diana Montague, Michael George, Malcolm Rivers | D♭ Major | 2 | 3B | 73 BPM | ||
The Mikado: Three Little Maids from School Are We | Deborah Rees, Thora Ker, Yvonne Patrick | A♭ Major | 0 | 4B | 89 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
Medley from "Alice In Wonderland" (Arr. K. Whitcomb) | Sammy Fain, Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers | D Minor | 4 | 7A | 125 BPM | ||
U.S.S. Metaphor - Highlights | Community Women's Orchestra, Gilbert & Sullivan, Steve Gallagher, Ken McPherson, Robert Benda, Michael Tate, Dr Kathleen McGuire | F Major | 5 | 7B | 95 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Qui suis-je? Du théâtre antique (L'Opinion Publique) | Jacques Offenbach, Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | F Minor | 0 | 4A | 93 BPM |