"Lloyd: John Socman: Socman, Sybil, Richard, Farmer" by George Lloyd, Philharmonia Orchestra, Janice Watson, Thomas Booth, David Wilson-Johnson, Diana Montague, Michael George, Malcolm Rivers had its release date on November 1, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Lloyd, Philharmonia Orchestra, Philharmonia Orchestra; George Lloyd's "Highlights from John Socman" album is number 2 out of 12. On top of that, United States appears to be the country where this track was created. Lloyd: John Socman: Socman, Sybil, Richard, Farmer is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lloyd: John Socman: Socman, Sybil, Richard, Farmer by George Lloyd, Philharmonia Orchestra, Janice Watson, Thomas Booth, David Wilson-Johnson, Diana Montague, Michael George, Malcolm Rivers to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: V. Liber scriptus - VI. Dies irae - VII. Quid sum miser | George Lloyd, Stephen Wallace, Jeffrey Makinson, The Exon Singers, Matthew Owens | D♭ Major | 1 | 3B | 78 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | G Major | 4 | 9B | 76 BPM | ||
Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 89 BPM | ||
タイスの瞑想曲 | Herbert von Karajan, フィルハーモニア管弦楽団 | B♭ Major | 1 | 6B | 170 BPM | ||
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: I. Allegro ma non troppo | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM |