"Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande" by Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon had its release date on June 21, 2024. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gabriel Fauré, Renaud Capuçon, Orchestre de Chambre de Lausanne's "Gabriel Fauré" album is number 10 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande by Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Namouna, Suite No.2: 5. Danse des esclaves | Édouard Lalo, Royal Philharmonic Orchestra, Yondani Butt | A Major | 2 | 11B | 51 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra | E Minor | 0 | 9A | 101 BPM | ||
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
Fountains of Rome, P. 106: I. The Fountain of Valle Giulia at Dawn | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 0 | 8B | 60 BPM | ||
Fauré: Impromptu No. 1 in E-Flat Major, Op. 25 | Gabriel Fauré, Jean Hubeau | F♯ Minor | 1 | 11A | 117 BPM | ||
Herodiade, Act IV: Ballet: Les Gauloises | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 0 | 7B | 135 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): IIb. Allegro con fuoco | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | D♭ Minor | 4 | 12A | 147 BPM | ||
Fauré: Impromptu No. 5 in F-Sharp Minor, Op. 102 | Gabriel Fauré, Jean Hubeau | D♭ Minor | 1 | 12A | 99 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VI. in D major. Allegretto scherzando | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM |