"Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai)" by Robert Schumann, Dresdner Philharmonie, Marek Janowski was released on 2022. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Schumann: Complete Symphonies". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) by Robert Schumann, Dresdner Philharmonie, Marek Janowski having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Studien in kanonischer Form, Op. 56: III. Andantino | Robert Schumann, Theodor Kirchner, Trio Karénine | E Minor | 0 | 9A | 170 BPM | ||
Variations sur un thème hongrois, Op. 72: II. Theme. Adagio | Jenő Hubay, BBC Scottish Symphony Orchestra, Hagai Shaham, Martyn Brabbins | E Major | 2 | 12B | 98 BPM | ||
La Belle au bois dormant, Op. 66 ; TH 13, Act. I, No. 8c: Pas d'action d'Aurore | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Efrem Kurtz, Yehudi Menuhin | B Minor | 5 | 10A | 94 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Concert Waltzes | Carl Maria von Weber, Alexander Glazunov, Johannes Brahms, Hector Berlioz, Erich Kunzel, Cincinnati Pops Orchestra | D Major | 1 | 10B | 182 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 88 BPM | ||
Tosca, SC 69, Act II: Vissi d'arte, vissi d'amore | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | E♭ Major | 0 | 5B | 110 BPM | ||
Ad Lumen (Towards Light) | Karl Jenkins, World Orchestra For Peace, Krzysztof Wisniewski | F Major | 2 | 7B | 105 BPM | ||
Violin Concerto in D Minor "Accademico": II. Adagio | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM |